Frequency Response: ±0.25 dB from 20 Hz to 20 kHz at 1 watt
Phase Response: ±15 degrees deviation from linear phase from 20 Hz to 20 kHz at 1 watt
Signal to Noise Ratio, A-Weighted: Better than 100 dB below rated 1-kHz power
Total Harmonic Distortion (THD): = 0.5% at 1 kHz rated power, band-limited 20 Hz to 20 kHz
Intermodulation Distortion (IMD): (60 Hz and 7 kHz at 4:1) Less than 0.5% at rated power to 30 dB below rated power at 8 ohms
Damping Factor: Greater than 700 from 10 Hz to 400 Hz
Crosstalk: Better than 50 dB below rated power, 20 Hz to 10 kHz
Common Mode Rejection (CMR): Better than 70 dB from 20 Hz to 1 kHz
DC Output Offset (Shorted Input): ±10 mV
Input / Output Specifications:
Input Connector (standard module): One Neutrik Combo connector for each channel which features a balanced ¼-inch (6.35-mm) phone jack and a 3-pin female XLR connector, in parallel with a barrier strip termination
Input Stage: Input is electronically balanced and employs precision 1% resistors
Input Impedance: Nominally 20 k ohms, balanced; Nominally 10 k ohms, unbalanced
Input Sensitivity: 0.775 volts or 1.4 volts forstandard 1-kHz power, or fixed 26-dB gain
Output Connectors: CE4D Module: Two 5-way binding posts in parallel with two Speakon connectors (standard domestic configuration)
Output Signal:
Stereo: Unbalanced, two-channel
Bridge-Mono: Balanced, single-channel (Channel 1 controls are active; Channel 2 should be turned down)
Engineered from the bottom up for topnotch performance and unmatched reliability, the Crown CE 4000 amplifier represents the wave of the future for power amplifiers. Designed using Crown's patented, award-winning Class I (BCA Balanced Current amplifier) engineering, the CE 4000 provides superior power output, increased efficiency, legendary Crown sound and extraordinary reliability.
The CE 4000 not only handles but excels at handling 2-ohm loads. In repeated stress tests, the CE 4000 continued to perform at levels 12 dB into clip, long after the competition had shut down. The CE 4000 is rated at 1400W (2-ohm dual), 1200W (4-ohm dual), 600W (8-ohm stereo), 2800W (8-ohm bridge mono), 2400W (4-ohm bridge mono).
Designed for the utmost in flexibility, the CE 4000 features selectable on-board high-and low-pass filter sets, so you can easily add a sub-bass system. Additional signal control is available via Crown's optional SST (System Solution Topologies) modules, which offer a wide variety of active crossover configurations. Your choice of dual output connectors is also available: Neutrik Speakon plus 5-way barrier block, 5-way barrier block plus binding strip, or dual Neutrik Speakon.
Weighing in at a mere 34 pounds, the CE 4000 is easy to transport and set up. What's more, Crown's enhanced, switch-mode power supply (featuring power factor correction) results in a universal power supply, so you can plug it in anywhere. And with the lowest cost per watt of any amp in its class, the CE 4000 is the obvious choice for serious musicians everywhere. $1050 214-674-2577
Here's the write up if you need the specifics.
Stellar onboard effects enhance the high-performance Yamaha MG24/14FX 24-Input 14 Bus Mixer with DSP Effects. The 16 mic/line channels and four stereo line channels give you plenty of inputs. With 16 first-quality mic preamps for low-noise, transparent amplification. Switchable either singly or in groups of eight. All channels have 3-band EQ with sweepable midband for precision mixing. All mono channels have insert I/O for outboard signal processing and switchable high-pass filter for cutting out unwanted low frequencies. Talkback capability is provided for communication with stage.
If you can see this ad then yes I still have it for sale.
XLR balanced stereo and mono outputs. Mono outputs can be used for driving subwoofers and include a sweepable low-pass filter.
14 buses offer convenient routing options. These include the main program bus; four stereo channel bus pairs for grouping channels, six aux buses (four pre or post, two effects sends), and two internal effect buses for the dual effects processors.
1 Gibson BB King Lucille. Black with gold Hardware, and original Memphis Case Bought from Guitar center in Chicago. Serial # 02 111 638 Solid Body @ about 15 pounds this thing is no joke. Ebony fretboard, and big block inlays. all original hardward. 6 way eritone switch. It has seen some use, but is in over all Great condition. Fretboard is in great shape, no divits at all. I might be negotialble on the price but not very much. You can get one at guitar center in Cali for about 1800 shipped to you, BUT it is scratched and banged up. Mine is not.
1 Taylor T5 standard. Spruce top. Hollowbody. weighs around 4-5 LBS. Very lightweight, REALLY nice action, and probably one of the best necks I have ever touched. Artistic Inlay on f-holes, Microdot inlay on ebony fretboard. Aquired from a fellow in Austin a couple of years ago, and it is one of my absolute fav. guitars. Has small scratch on back, not noticable in pics, but it is there. once again save your breath. I would be willing to go to 1800 MAYBE, but that would definately be the bottom line.
Below are pics. The pic at the Very bottom is BB's actual real deal Lucille. I couldn't get the pics to upload because they are too big. They may or may not show up on your screen, but they SHOUld be below here.<----
Vox brings you the new Classic Plus range of all-tube amplifiers from Vox. This EL34-powered line-up combines the classic Vox tone and spirit of rock and roll legend with a versatile high-gain channel that goes beyond anything in Vox's 50 year history and into all-new Vox sonic territory. What do 50 years of classic Vox sonic history sound like? Play one !
2 Channels of pure endless possibilities !
The Classic Plus is a channel-switching valve pre and power-amp guitar amplifier that can give you many flavors of tone, from pure clean to mind blowing high-gains, and all points between. The 2 channels have a variety of wide-ranging controls to help you create the textures of sound you can dream up.
This is a more recent version with the upgraded LR Baggs electronics, solid spruce top with rosewood back
These go for $1000.00 + tax at Guitar Center, buy this one and save yourself some dough
The all new Stage D25/SR is based upon the all time best selling Breedlove guitar with an attractive aesthetic and broad appeal. It is a bold acoustic-electric Dreadnought with an all new state-of-the-art L.R. Bagg’s pickup with controls created especially for live performances. L.R. Baggs Stage Pro features include: on-board stealth chromatic tuner with in-line mute, notch, filter, phase, EQ and volume controls. We’ve also improved this top selling Breedlove acoustic’s tone, projection and functionality.
Detailed Specifications
* Dreadnought, Acoustic Electric, Soft Cutaway
* Solid Sitka Spruce Top
* Solid Rosewood Back
* Depth 4-9/16” at Tail Block, 3-3/4” at Heel
* Lower Bout Width 16”
* Improved Breedlove Bracing with Ultra-light JLD Bridge Truss for stability and sustain
* Ivoroid Bound Body and Neck
* Abalone Rosette with Purfling Ring
* Abalone Top Purfling with BWBWB Purfling
* Glossy Finish, Satin Neck
* Rosewood Bridge, Fretboard, and Headstock overlay
* Nut width 1-11/16” (43mm)
* Compensated Saddle
* Dovetail Neck Joint
* Double Action Truss Rod, sound hole adjustable
* Chrome Grover Mini Tuners
* New L.R. Baggs Stage Pro pickup
* On board chromatic tuner with in-line mute, notch, phase, EQ
* D’Addario EXP strings
Looking for interesting trades.
Absolutely no problems with this guitar.
I'm only looking to trade because I hardly ever play it.
I prefer Tele's when I want Fender tones.
This guitar is in excellent condition so please dont offer junk.
I used this keyboard to teach my little brother how to play, so it has the notes and octave starting points labeled on. These can be removed upon request.
ALMOST NEW…USED ONLY TWICE
IN MINT LOOKS AND OPERATING CONDITION
HARDLY ANY SCRATCH OR ANY SIGN OF WEAR OR USAGE
WITH ORIGINAL BOX AND MANUAL AND POWER CABLE
FULLY TESTED TO BE IN GREAT OPERATING CONDITION
An affordable and rugged mixer with built-in effects, the Mackie CFX16 mkII Mixer features upgrades that include sleek gray cosmetics, ergonomic knobs, and impact-resistant rubber sides. This live sound mixer features Mackie-designed mic preamps, logarithmic-taper 60mm faders, 9-band phase-accurate graphic equalizer, 32-bit EMAC digital effects processor with 16 effects, 4-bus design, 2 pre/post aux sends, internal/external effects sends, and a host of great features for live sound, including 48V phantom power and 12V BNC lamp socket.
The Mackie CFX16 mkII mixer has been updated with more comfortable Onyx series knobs, new graphics for better visibility in less-than-ideal lighting conditions, and improved durability thanks to impact-resistant rubber side panels that have been added to the entire line. Best of all, CFX.mkII mixers are priced even lower than the popular original CFX models. Available in 12, 16 and 20 channel models, the CFX.mkII Series mixers all feature 4 subgroups, precise 9-band stereo graphic EQs for greater sonic control, and Mackie’s high-quality, comprehensive EMAC™ 32-bit(!) digital effects processor. All mic/line channels have inserts and input trim controls with individual Zero Level LEDs, 3-band EQ with swept midrange, and 100Hz low-cut filers. Each channel strip has a 60mm long-taper fader, external & internal/external effects sends; 2 aux sends, pan, mute, solo (PFL), and bus assigns. Like the original CFX Series mixers, the CFX.mkII Series mixers are designed for rugged, day-in and day-out road use.
Mackie CFX16 mkII Mixer Features:
• Low-noise, high-headroom Mackie mic preamps
• 12 mono mic/line and 2 stereo line channels
• Built-in 32-bit EMAC digital effects processor with 16 effects
• External and internal EFX sends and EFX to Monitor control
• Onboard 9-band stereo graphic equalizer
• True 4-bus design ideal for live sound applications
• 2 Pre/Post aux sends and internal/external FX sends
• 3-band EQ with swept mid (100Hz to 8kHz) on mic/line
• 4-band EQ on stereo line channels
• Pan, Mute, PFL solo on each channel
• 100Hz low-cut filters on all mic/line channels
• Subwoofer output from built-in 18 dB/octave, 75Hz crossover
• Break switch mutes all channels
• Headphone output with level control
• Tape/CD inputs with level control assignable to Main Mix
• Logarithmic-taper 60 mm faders
• 48V phantom power
• 12V BNC lamp socket
Mackie CFX16mkII at a Glance:
16 channels - 12 mono mic/line and 2 stereo line:
The wildly popular CFX16 mkII live sound mixer features 12 genuine Mackie-designed low-noise, high-headroom mic preamps and a host of great features for live sound. The new "mkII" versions include sleek grey cosmetics, new ergonomic knobs, impact-resistant rubber sides, and new irresistibly low prices. The CFX16 mkII features genuine Mackie mic preamps, 12 mono mic/line and 2 stereo line channels, an onboard 9-band stereo graphic equalizer, subwoofer out, and a true 4-bus design ideal for live sound applications, plus a great deal more, all designed to make live sound mixing a breeze - an efficient, great-sounding breeze!
Channels complete with inserts, trim, and aux sends:
Additional channel features include unbalanced inserts and input Trim controls with individual Zero Level LEDs, 3-band EQ with swept midrange, and 100Hz low cut filters for eliminating mic rumble. Each channel strip has a 60mm log-taper fader, one external and one internal/external effects send; plus two Aux sends, pan, mute, solo (PFL), and bus assigns. The mixers also offer phase-accurate 9-band stereo graphic EQ for easy tonal shaping (and feedback suppression). The CFX16mkII allows two separate stage monitor mixes to be created with their own effects levels.
Built-in 32-bit EMAC digital effects processor with 16 effects:
Thanks to Mackie's massive digital R&D efforts of the past seven years, the CFX16 mkII includes sophisticated 32-bit digital effects that rival dedicated outboard processors. These EMAC effects sound clean and realistic - especially compared to the crude, jangling 16-bit effects on most of the other "effects" mixers on the market.
Tough enough for live:
Like all Mackie mixers, the CFX.mkII Series is designed for rugged, day-in and day-out road use. Their sturdy-yet-light steel monocoque construction houses rugged, double-sided SMT-plated fiberglass circuit boards, and 60mm faders with ultra-tight lip seals for keeping out contaminants. Onyx mixer-style knobs are mounted so they "ride" just above the steel chassis and absorb impacts without transferring damage to the internal components. And like all Mackie mixers, the CFX.mkII feature co-molded potentiometers that don't get brittle and scratchy sounding with age.
The two bass inputs are designed to accommodate both active and passive bass instruments while the Gain and Volume controls give you complete authority over the character of your tone. Increase the Gain for some old-school rock tones, or lower it and turn up the volume for great, clean classic or funk tones. The preamp includes a very natural and tube-like compression as well as a harmonically rich distortion circuit, which keeps your tone musical-even at high volume levels.
The B100 also includes a notch filter to tailor your mids and a four-band EQ that provides total control over your tone. The parallel Effects Loop allows you to use your bass effects in the signal chain, or you can use theEffect Send as a Line Out to a recording or live mixing board. The series extension speaker jack provides an output for an additional cabinet such as the Acoustic B115 or B410.
The heritage of Acoustic comes through loud and clear in the B100.
IN MINT LOOKS AND OPERATING CONDITION
HARDLY ANY SCRATCH OR ANY SIGN OF WEAR OR USAGE
ALMOST NEW…USED ONLY ONCE
WITH ORIGINAL BOX AND MANUAL
WORRY-FREE - NO DUTY CYCLE – RUNS CONTINUOUSLY ALL NIGHT
Advanced Drive Series lighting effect
Units can be linked together with other Advanced Drive Series lights via XLR In and Out
Advanced Drive Series Black out controller (sold separately)
32 beams of multi-colored light criss-cross back and forth covering a wide area (similar to the popular Aggressor)
2 Sound activated modes: Slow Sound Active or Fast Sound Active
(lights move to the beat of the music)
Built-in Programs
Fan cooled
Includes hanging bracket – can be hanged or just on the floor
Convenient circuit breaker protection (no need to change fuses)
Lamp: 2x LL-64514 120V, 300W
Dimensions in inches: 14.5 x 10 x 10.75
Weight: 20 lbs.
The British invasion not only brought long hair, Cuban heels and phony accents to our shores, it also brought the now classic cathode-biased 30 watt Class A guitar amp. At moderate volumes, these gifts from the Commonwealth produce a fantastic chime that will be your ticket to ride. Crank them into saturation, and you’ll have a multi-dimensional roar that will cause any bohemian to rhapsodize on their articulation and sustain.
Our two-channel V33-212 combo produces 33 watts of all tube Class A tone through dual 12" speakers. Set one channel for crystal clear cleans, and the other for the warm overdrive distortion that can only come from four EL84 cathode biased output tubes, and you’re ready to start your own tone revolution. The new V33's boost function lets your solos soar above the band with just one stomp on the footswitch (sold separately), while the three-band EQ, fluid channel switching and spring reverb give you ultimate sonic control in a loud, durable package. Thermion, dead man!
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